Fearsome patriot Obeying the nation's will Bloody aftermath
Cream white and matte black Contest of mental matter Bishop takes bishop
Such wonder the child sees, hand in hand with his mother, As he matches the vacant gaze of a passerby-other. Do we remember what they see, in you, in me ? Please tell me how it feels, to be pure, to be free. Will we ever regain those lasting simple moments ? Where we abstain ourselves from unqualified judgments. Where in the world can we find such a thing ? Where the church-bells ring, where the songbirds sing. Year by year the world will leave its mark, Fate by fate the angels will disappear, hark ! Its by looking at you that innocence is destroyed, Its in looking at me that they find their souls devoid. Such wonder the child sees, hand in hand with his mother, As he matches the vacant gaze of a passerby-other. Do we remember what they see, in you, in me ? Please tell me how it feels, to be so pure, to be so free.
Sipping drinks with you Hands caress the piano Funny valentine
A foray into the unknown Is never a waste. Make haste, child, and discover: Know, that though it may not be To your unrefined taste, Any venture made Is greater Than one not. Rules, son, exist in the mind, And at birth, we are blank As paper untraced: Be yourself, Always moving forward. Our experiences are like pencil shadings, Never pen, son; Never pen, always pencil. Our thoughts are like a rubber: From the pencil's chaos, We can always erase And trace, son, A beautiful rose. You can lead The life you desire: All you need Is experience.
Evening cools the sun I satiate my hunger What have I achieved ?
In the crimson halls of the Forbidden Palace, There is a jaded throne, cast by the finest artisans the eternal eastern empire has ever known. Beside stands a sturdy table, draped gently with luxurious silk, Strewn with urgent letters, requests and ransoms, Taxes and treaties, and bills of death, All marked in ruthless red and black inks, All poignant symbols of power and authority, Decision and reason; All paper-thin, all subject to the might of the first lady’s slender white hand, A pale white hand which strokes the parchment delicately, Like the stream that runs past the sacred buddhist temple, Or a calming lucid opiate through the peasant’s coursing deep blue veins. The Empress’ opulent fabrics brings to mind the seductive mystique of the Qutang Gorge, Figured and carved by the incontestable power of the Yantze River, Angular like the jagged rock faces, profound like the azure water, And ever-engaging like the struggle between reason and rhyme. Yet, the fragile material body of the Empress is concealed by these luscious garments, And, as she ponders and wonders, her serpentine aides shift and move in the shadows, Scheming and cheating, betraying and defeating one another, Superseding and falling over each other, Again, again and again and again, And again, Unendingly, incessantly, like the rise and fall of great men, women and ideals and concepts of the legends before. Meanwhile, dressed as a deity, the Empress of China Blue disparages and describes and designs, Desiring ever greater destinies for her nation; Her undying country and her immaculate kingdom. But, pray, the men of the chamber won’t stand for the rule of a woman, No, they won’t; No, they would never deign to allow such an insult to stand for their finite lifetime, let alone the test of time, Alas, no, they could never swallow their pride or ego, And it is such that beauty crumbles within the Samsaric cycle of life, death and rebirth. Rather, the scheming aides would see beauty shattered like abandoned stained glass, And see the majestic columns of the palace and temples of faith crumbling; They'd see the annihilation of a fortress besieged, And they would see that the poor man suffers a token death beneath the oppression of a new, arbitrary regime, While his wife screams and his children cry, Wondering why their father had to die, And bleed a ceaseless stream of ruby blood into the bottomless well, the never-ending cavern of hell. While the poet dreams, the advisors lie in wait, and the signal is given and they make an ugly haste, And in the dying embers of the evening the bronze sword gleams, The bastards unleash the dogs of chaos; Even the glorious empress herself cannot call on any maxim of Confucius, of Sun Tzu or of Laozi to save herself from the pain of death. The end is nigh for the Empress of China; The end is imminent for my Empire, and with it, she will die.
Happy Chinese New Year from the folks at Esse Duo ! 新年快乐 !
Sand into ocean Death nourishes the living Perfect harmony
Elephants journey The Serengeti lives on Sand picks up in waves
Parasols and sand Memories of innocence Time and time again